![]() In practice, the system is far more complex and sophisticated than this. The five horizontal lines of a musical staff function like horizontal rulings of graph paper, bar lines like vertical rulings. Its vertical axis is pitch, and its horizontal axis is time, and note heads are dots plotting the graph’s curve. Staff notation, as it has developed, is essentially a graph. Some handle only a single pattern-e.g., a melody, a rhythm others handle several simultaneous patterns.Ĭommon symbols used in modern musical notation. Most cope with a selection of them in varying degrees of refinement. In practice, no notation can handle all of these elements with precision. The primary elements of musical sound are pitch, or the location of musical sound on the scale (hence interval, or distance, between notes) duration (hence rhythm, metre, tempo) timbre or tone colour and volume (hence stress, attack). By extension of the latter, it serves as a means of preserving music (although incompletely and imperfectly) over long periods of time, facilitates performance by others, and presents music in a form suitable for study and analysis. By extension of the former, it helps the shaping of a composition to a level of sophistication that is impossible in a purely oral tradition. ![]() Its use is occasioned by one of two motives: as an aid to memory or as communication. It usually takes written or printed form and is a conscious, comparatively laborious process. Musical notation, visual record of heard or imagined musical sound, or a set of visual instructions for performance of music.
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